Pianist Amy Dorfman has enjoyed a wide variety of musical collaborations throughout her career. For more than 20 years, she accompanied American bass virtuoso Edgar Meyer, performing in Lincoln Center’s Alice Tully Hall and Amsterdam’s Concertgebouw, as well as on NPR’s St. Paul Sunday Morning and The Lonesome Pine Special. She also joined Meyer in his 1990 recording Work in Progress for MCA Records.

Dorfman has performed with the Blair String Quartet and was a member of the Dorfman/Katahn piano duo with pianist Enid Katahn. She has also collaborated with pianist Mark Wait, Dean of the Blair School of Music, in piano duet and duo recitals.

In 2002, she and colleagues Carolyn Huebl, violin, and Felix Wang, cello, formed the Blakemore Trio. The trio performed their New York debut in Merkin Hall in 2010. In 2013 the trio released two recordings, The Blakemore Trio plays Beethoven and Ravel (Blue Griffin Records), and Gates of Silence, composed by Susan Botti and commissioned for the Blakemore Trio (Albany Records). Critics wrote, “another chamber ensemble has arrived to claim the limelight…for Beethoven’s ‘Ghost’ Trio, they don’t come any better than this one.” The American Record Guide hailed their performance of the Ravel trio as “Impressionism at its best.” The trio is currently at work on a recording of solo and chamber works of American composer Adam Schoenberg, which is slated for a 2019 release on Blue Griffin Records.

Dorfman’s students have been prize winners in national divisions of MTNA chamber music competitions, the Vanderbilt Concerto Competition and the Curb/Nashville Symphony concerto competition. Her college students have continued on in many prestigious graduate music programs around the country. She served as coordinator of the Blair precollege chamber music program from 2006-18.

Dorfman received her undergraduate and graduate degrees from the Indiana University School of Music, where she studied with Alfonso Montecino and James Tocco. She also worked with Edith Oppens and Rosalyn Tureck at the Aspen and Banff festivals. She serves as artist/teacher at the Tennessee Governor’s School for the Arts and spent several summers at the Sewanee Music Center.

Reginald (Reggie) Coleman serves as the band director at Rocky Fork Middle School. A native of Knoxville, TN, Reggie obtained his bachelor’s degree in music education from Middle Tennessee State University, where he studied trombone with Dr. David Loucky. Reggie formerly taught at LaVergne and Smyrna Middle Schools, where he was mentored by colleagues Philip Gregory, Lindsey Mears, and Phillip Simpson. Currently in his 5th year of teaching, Reggie has taught concert, pep, and jazz bands, as well as percussion ensemble and choir.

He has served the Middle Tennessee Schools Band and Orchestra Association (MTSBOA) as Mid-State Equipment Coordinator (2019-2022), Board Member-Middle School Representative (2021-present), and Mid-State Clinic Coordinator (2022-present). Coleman also serves the Tennessee Music Education Association (TMEA) as the Instrumental Equipment Chair (2020-present). Reggie is looking forward to his eighth year with the Tennessee Governor’s School for the Arts as one of the Music Production Coordinators. Reggie currently serves on the board for the newly founded Dow Street Community Music School (Murfreesboro TN), a non-profit organization created to provide high-quality music experiences for children who may not have the opportunity or means to do so at school.

Reggie resides in Murfreesboro, TN and is loving every minute of teaching band at Rocky Fork Middle with one of his best friends, Phillip Kigaita.

Andrea Dawson joined the MTSU Music Faculty in 2007 and the faculty of the Tennessee Governor’s School for the Arts in 2008. Dawson is a member of the Stones River Chamber Players and Music City Baroque (formerly Belle Meade Baroque), and has been a featured chamber musician on WPLN, Nashville Public Radio. She has performed as a soloist and chamber musician in the United States, China, France, Mexico, Curaçao and Brazil. Before moving to Tennessee, she was Assistant Professor of Music at the University of Texas Pan American and Associate Concertmaster of the Valley Symphony Orchestra in south Texas.

Dawson received her Masters in Music and Doctor of Musical Arts degrees from the Eastman School of Music, where she was awarded the coveted Performer¹s Certificate. She also received a Bachelor of Arts in anthropology, with a minor in French, and a Bachelor of Music in violin performance from Oberlin College. Her principal teachers include Lynn Blakeslee, Camilla Wicks, Taras Gabora, Kathleen Winkler, and Robert Koff.

Associate Professor of Horn & Music Theory Middle Tennessee State University

Angela DeBoer is the Associate Professor of horn at Middle Tennessee State University where she also teaches music theory, brass literature and pedagogy.   She is an active performer, playing second horn with the Chattanooga Symphony and Opera and assistant principal horn with the Huntsville Symphony Orchestra.  Ms. DeBoer appears regularly with the nationally acclaimed Nashville Symphony as well as performing with the Nashville Opera, Nashville Ballet and maintaining a presence in the recording studios of Nashville.  Additional creative activity will find her performing on the Baroque and Classical natural horns; instruments on which she presents lectures and masterclasses at workshops and schools around the country.  Ms. DeBoer is also the co-coordinator of the MTSU music faculty concert series, the Stones River Chamber Players, and since 2011 has been on the faculty of the Tennessee Governor’s School for the Arts.

Prior to her work in Tennessee, DeBoer was a member of the Tulsa Symphony Orchestra and worked with the Tulsa Ballet and Tulsa Opera.  She was also active in the freelance community in and around Chicago for many years, performing with the Milwaukee, Grant Park, Elgin, South Bend, Northwest Indiana, Duluth-Superior and Illinois Symphonies as well as with Symphony II, Chicago Sinfonietta, Millar Brass Ensemble, Chicago Opera Theatre and the Illinois and Fort Wayne Philharmonics.  She also spent several seasons as a member of the Civic Orchestra of Chicago, the training orchestra for the Chicago Symphony Orchestra, a group with which she also appeared as soloist.  She has attended several competitive music festivals including Tanglewood, National Repertory Orchestra, National Orchestral Institute, Sarasota Chamber Music Festival and the Music Academy of the West.  Angela was also a semi-finalist at the 2007 International Horn Competition of America.

Ms. DeBoer received her Bachelor of Music degree from DePaul University in Chicago, studied in the Orchestral Performance Program at the Manhattan School of Music and received her Master of Music from Northwestern University.  Her primary teachers include Gail Williams, David Krehbiel, Jerome Ashby and Jonathan Boen.

In addition to her work at MTSU and in the music profession, Angela competes nationally in Three Day Eventing (horse triathlons) with her horse Christopher.

DMA, James Madison University Oberlin Conservatory of Music and the Cleveland Institute of Music

Violist Ayn Balija, enjoys a varied career as both a teacher and performer. As the Lecturer of Viola at the University of Virginia, Ms. Balija is a member of the Rivanna String Quartet, co-directs the Chamber Music Seminar, and serves as principal violist of the Charlottesville & University Symphony Orchestra. In the 2009-10 Season she was asked to perform, Mozart’s Sinfonia Concertante with guest violinist Max Rabinowitz.

She frequently collaborates with the composition faculty on new works and volunteers for the UVA Baroque Orchestra. Dedicated to teaching, Ms. Balija seeks to develop a well-rounded musician. Students who go on in music are accepted into some of the top music schools around the nation. She was invited to present a paper at the 2014 American String Teachers National Convention entitled “Roles, Rules, and Running” highlighting the development of non-major talent and future roles they will take in society.

Immersing herself in the Charlottesville, VA and Columbus, OH communities, Ayn provides private lessons as a Boyd Tinsley Tutor in the Charlottesville Public Schools, performs outreach concerts, and maintains a private viola studio. Outside of the University, Ms. Balija performs with the ProMusica Chamber Orchestra of Columbus, OH, gives masterclasses and recitals around the region, and collaborates regularly with her colleagues. She is often asked to substitute for the Richmond Symphony and has gone on tour with the Pittsburgh Symphony Orchestra.

During summers, she has attended numerous festivals including the Aspen Music Festival and School, Banff Center, Credo, and the Colorado College Summer Music Festival. She participated as an orchestral musician, chamber coach, mentor, and quartet fellow. Starting the summer of 2006, Ms. Balija was awarded the Aspen Mentor Fellowship to aid in the instruction of aspiring orchestral musicians. This summer she will return to Yachats Summer Music Festival in Yachats, OR and be on faculty at the Tennessee Governors School of the Arts. Ms. Balija has degrees from Oberlin Conservatory of Music and the Cleveland Institute of Music. Her principal mentors are Jeffrey Irvine and Peter Slowik. She is currently finishing her doctoral studies at James Madison University with Amadi Azikiwe.

Dr. Ben Blasko is the Director of Instrumental Studies at Lipscomb University where he oversees instrumental ensembles & instrumental private instruction. Ben holds degrees from the University of North Texas, Indiana University of Pennsylvania, and Messiah University. He has conducted groups such as the Nashville Symphony, Boston Symphony, the North Texas Wind Symphony, and the Agora Brass Ensemble.

As an orchestrator, he has worked for artists such as OneRepublic, Tommee Profitt, Tina Guo, Jordan Smith, Tauren Wells, Colton Dixon, and the Disney Company. As a composer, his music has been played all over the world by groups such as the Nashville, Boston, and Colorado Symphonies, the United States Air Force and Navy Bands, the London Sinfonia, the Israeli State Band, and numerous high school & collegiate ensembles.

As a recording engineer, Ben has worked with artists such as Evelyn Glennie, the Barcelona Clarinet Players, the North Texas Wind Symphony, Tromba Mundi, the Eastern Tennessee State University Wind Ensemble, the Messiah University Wind Ensemble, members of the St. Paul Chamber Orchestra, the Minnesota Orchestra Brass Quintet, the Grimethorpe Brass Band, and the Vanderbilt Wind Symphony. You can find his work on the Naxos, Mark Custom, Klavier, and Capitol record labels. His conducting teachers include Eugene Migliaro Corporon, Jack Stamp, Dennis Fisher, Brad Genevro, William Stowman, and Timothy Dixon. Ben has studied composition with Bruce Broughton, Jack Stamp, Kirsten Broberg, Bruce Yurko, and Alvin Singleton.

Christine Renée Kralik, DMA, MM, BM

Cello Faculty 

Dr. Christine Renée Kralik is the Cello Professor at the University of Mississippi where she teaches applied Low Strings and is the Music Appreciation class coordinator.  Previously she was the adjunct cello instructor at Angelo State University in San Angelo, Texas. Dr. Kralik is a thriving young professional cellist who received her Doctorate of Musical Arts with an emphasis in cello performance from Texas Tech University in May of 2018.  She holds a Masters in Music from the Cleveland Institute of Music and a Bachelor of Music from the University of Utah, where she was also named as the Outstanding Senior. She studied cello performance with Jeffrey Lastrapes at Texas Tech University, Cleveland Orchestra cellist Richard Weiss at the Cleveland Institute of Music, and Utah Symphony cellist Pegsoon Whang at the University of Utah. 

Dr. Kralik is the principal cellist of the North Mississippi Symphony and the Lubbock Chamber Orchestra in West Texas. She was previously a member of the Lubbock, Amarillo, and Midland-Odessa Symphonies. Along with her active orchestral career, she has performed in numerous recitals all over the country, collaborating with other musicians for numerous events and performances. Dr. Kralik recently recorded her own album of Romantic era cello sonatas, to be released later in 2021. She recorded the Grieg cello sonata in A minor, Mendelssohn cello sonata no.2, Sibelius Malinconia op.20, and Mendelssohn’s Lied Ohne Worte. 

Along with holding a busy performance schedule, Dr. Kralik finds great joy in teaching. She enjoys working with the cello and bass students of the University of Mississippi, as well as cello students in the surrounding area and from all over the world.  In the summer of 2018, Dr. Kralik joined as faculty for the Tennessee’s Governor’s School for the Arts, where she works closely with students in cello master-classes and sectionals. Dr. Kralik enjoys performing in the exciting faculty chamber music series throughout the duration of the Governor’s School, performing works as various as the spectacular Brahms piano quartets, Shostakovich piano trio no.2, to Bartok string quartets, and Schoenberg’s Verklarte Nacht. Dr. Kralik performs on a German Wilhelm Hammig cello dated 1907 and an unnamed French cello bow thought to be from the Pierre Simon School circa 1880.

Associate Professor, MTSU DM, Indiana University Deanna R. Little, associate professor of flute at Middle Tennessee State University, holds a Bachelor of Music degree in education from the University of Northern Iowa, a Master of Music degree in flute performance and the Doctor of Music degree from Indiana University. Her primary instructors include James Scott, Kate Lukas, Peter Lloyd, Trevor Wye, and Angeleita Floyd.

As a professor at MTSU, Little currently teaches applied flute, classes in woodwind methods, literature and pedagogy and directs the MTSU Flute Choir. As a writer/arranger she is the author of Daily Flutin’, a daily warm-up and exercise book for flutists, and has arranged several works for flute ensemble. As an active performer, Little is a member of the Stones River Chamber Players and a frequent guest on Nashville’s WPLN “Live from Studio C” radio broadcasts. She has performed with the Nashville Symphony, the Nashville Chamber Orchestra, Huntsville Symphony ( AL), and Evansville Philharmonic (IN).

Little has won numerous awards for her flute playing. She was a two time winner in the National Flute Association’s Young Artist Competition (1998, 1996) as well as the recipient of an award for best performance of a newly commissioned work at the 1996 convention. She was a winner in the 2007 Myrna Brown Competition in Texas and a 1998 semi-finalist in the New York Concert Artists Guild Competition. She has performed as a soloist, master class clinician, and flute ensemble director throughout the mid-west and mid-south. She was also the 2004 local arrangements coordinator for the NFA Convention in Nashville, TN and is the past-president of the Mid-South Flute Society.

Dr. Jackie McIlwain, Assistant Professor of Clarinet, began teaching at The University of Southern Mississippi in 2013. She enjoys keeping a diverse and active performance schedule with solo recitals, chamber recitals, solo performances, and orchestral concerts. In 2017 Dr. McIlwain became a licensed Andover Educator, which allows her to teach Body Mapping. This body awareness technique teaches anatomy and physiology of the body and how this knowledge can help us release tension and move more efficiently. Body Mapping was created specifically to help musicians perform with more freedom and ease as well as to aide in injury prevention and recovery.

Named Teacher of the Year by the Alabama Music Teachers Association and Music Educator of the Year by the Arts Council of Tuscaloosa, pianist Kevin T. Chance has been hailed as “a superlative musician” playing “with musical conviction and muscularity.” He has performed throughout the United States and abroad as both soloist and collaborator. Recent engagements include performances at Carnegie Hall as well as concerto appearances with Bernstein’s Age of Anxiety and Rachamninoff’s Rhapsody on a Theme by Paganini with the Huxford Symphony Orchestra, Gershwin’s Rhapsody in Blue with the University of Alabama Wind Ensemble, Beethoven’s Choral Fantasy with the Athens Chorale in Georgia, and Gerald Finzi’s Eclogue. In March 2016, he also appeared with the Tuscaloosa Symphony in a performance of Saint-Saens’s Carnival of the Animals. Recital engagements have taken him throughout the U.S. with recent appearances at the American Matthay Association Festivals, the University of Oklahoma, the Louisiana Piano Series International, and the Albion College International Piano Festival. He has also been presented in performances by the Mobile Opera, the Mississippi Opera, Cedar Rapids Opera Theatre, the University of Texas at Brownsville, the University of South Carolina, Columbus State University, Auburn University, Millsaps College, the University of North Dakota, the Saratoga Arts Fest, and Bucknell University. Dr. Chance was a prizewinner of several regional and national competitions including the National Society of Arts and Letters Career Awards Competition, Music Teachers National Association Competitions (MTNA), and the Brevard Music Center Concerto Competition.

Dr. Chance is a member of the Semplice Duo with flutist Cristina Ballatori. In August 2004, they were named the winners of the Notes at 9,000 Emerging Artist Series Competition in Colorado. Past seasons have taken them to Texas, Colorado, New York, and Louisiana, and they were selected as artist fellows for the 2005 Hampden-Sydney Music Festival in Virginia, where they returned for a series of performances in 2008. They frequently perform in recital on the “Live from Hochstein” series, which are broadcast live on WXXI radio in Rochester, NY, and in 2014, they made their European debut in Paris.

A sought-after teacher, Dr. Chance maintains a prize-winning studio, and he was recently named a Leadership Board Faculty Fellow by the Universtiy of Alabama College of Arts and Sciences. His students are frequently named winners and finalists in local, state, regional, and national competitions, including the 2009 Music Teachers National Association’s National Competition Finals in Atlanta. He currently serves on the faculties of several summer festivals including the New Orleans Piano Institute. In demand as a clinician and adjudicator, he regularly presents workshops and lecture-performances on repertoire and pedagogy throughout the country, and he has served as a guest artist and clinician for the Michigan, Mississippi, and Alabama state music teacher conferences. Additionally, Dr. Chance has presented at the 2019, 2016, and 2008 Music Teachers National Association Conferences. He is a Past President of the Alabama Music Teachers Association and is a past board member of the Music Teachers National Association serving as Director of the Southern Division. Kevin currently serves as the Vice President of Music Teachers National Association and President of the American Matthay Association.

Serving as Associate Professor of Piano and Chair of the Gloria Narramore Moody Piano Area at the University of Alabama, Dr. Chance is a former faculty member at the Alabama School of Fine Arts in Birmingham. He holds the Doctor of Musical Arts degree in Piano Performance and Literature from the Eastman School of Music where he was awarded the Jerald C. Graue Fellowship for academic excellence. An alumnus of the Aspen Music Festival, he holds the Master of Music degree from Louisiana State University and graduated magna cum laude from Birmingham-Southern College. His teachers have included Barry Snyder, Constance Knox Carroll, Ann Schein, Anne Koscielny, Herbert Stessin, William DeVan and Betty Sue Shepherd.

Adjunct Professor, Southern Adventist College and Cadek Conservatory Concertmaster, Huntsville Symphony

Violinist Mark Reneau’s career encompasses solo, recital and concerto appearances, as well as orchestral, opera, chamber music and baroque performance. Concertmaster since 1998, Mr. Reneau has performed with the HSO since 1977. He plays frequently in the violin section of the Nashville Symphony Orchestra, performing with such conductors as Stefan Sanderling, Carlos Kalmar and Leonard Slatkin. Since 2000, he has performed regularly in the violin section of Orchestra Nashville. In 2003 and 2004, he toured with Amy Grant and Vince Gill. Since 2005, he has been Associate Concertmaster of the Bellingham Festival of Music in Washington state. Several of his performances with the Bellingham Festival have been broadcast on National Public Radio’s Performance Today.

Prior to his appointment in Huntsville, he served as associate concertmaster of the Chattanooga Symphony and Opera from 1983 to 1998. In 2006, he was concertmaster of the first Vakhtang Jordania International Conducting Competition held in the United States. Mr. Reneau has made several recordings with Orchestra Nashville, including the first stereo recording of Virgil Thomson’s cello concerto and a critically acclaimed Naxos disc of works by Aaron Copland. He has also made studio recordings with diverse artists such as Trey Anastasio, James Brickman and Rebecca Lynn Howard. Mr. Reneau is gifted and dedicated teacher, serving over twenty years on the faculty of Southern Adventist University. Since 2000, he has taught at the Tennessee’s Governor’s School for the Arts.

From 1978-2005, he was on the faculty of Cadek Conservatory of Music. His students are regularly accepted to music conservatories and major festivals, and are performing with distinguished ensembles such as the Metropolitan Opera Orchestra. Mr. Reneau’s sons are also accomplished musicians. Charles is bass trombonist with the Oregon Symphony, and has performed with the orchestras of Honolulu, Huntsville, Atlanta, Alabama, the Metropolitan Opera and the Israel Philharmonic. Douglas is a graduate trumpet student at the Indiana University. Winner of several national competitions, he toured Europe in 2005 performing the Arutunian Trumpet Concerto. In the summer of 2008, Douglas with the National Repertory Orchestra in Breckenridge, Colorado. Mr. Reneau’s hobbies include the study of old stringed instruments and bows, cooking, and the study of theology and social history..

Dr. Preston Light currently serves as Assistant Professor of Tuba and Euphonium at Tennessee Tech University and is Principal Tuba of the Bryan Symphony Orchestra. Previously, he taught tuba and euphonium at Xavier University and Northern Kentucky University.

An active freelancer, Preston has performed with a variety of ensembles. His orchestral experience includes performances with the Cincinnati Symphony and Pops Orchestra, Baltimore Symphony, St. Louis Symphony, Charlotte Symphony, Dayton Philharmonic, Kentucky Symphony, Youngstown Symphony, South Bend Symphony, Richmond (IN) Symphony, Cincinnati Chamber Orchestra, Queen City Opera, and the Cincinnati Ballet Orchestra. As a chamber musician he has performed with Summit Brass, the Linton Chamber Music Brass Quintet, and is a member of Cincinnati based Seven Hills Brass Ensemble. Preston has presented masterclasses and recitals across the United States, as well as being a featured soloist with many bands and orchestras.

Preston also has had an accomplished competitive career. He won the 2018 Solo Tuba Competition at the United States Army Band “Pershing’s Own” Tuba-Euphonium Workshop, 3rd prize in the 2018 Music Teachers National Association Young Artist Brass Competition, 1st prize at the 2016 Falcone International Tuba Artist Competition, 1st prize in the Mock Band competition at the 2016 International Tuba Euphonium Conference, and won the 2016 Jan and Beattie Wood Concerto Competition at the Brevard Music Center. Preston has also won and placed at many regional conferences hosted by the International Tuba Euphonium Association.

Dr. Light holds a B.M. in Music Education from Tennessee Technological University and a M.M. and D.M.A. from the University of Cincinnati College-Conservatory of Music. His primary instructors include Timothy Northcut, Chris Olka, R. Winston Morris, and Jimmie Self.

Franklin, TN native Dr. Sarah K. Crocker is a professional harpist and musicologist lecturing and performing solo, chamber, and orchestral music throughout the United States and beyond. Dr. Crocker is Adjunct Professor of Harp and Music at Middle Tennessee State University, where she serves on the faculty of the MTSU Honors College, and Adjunct Professor of Harp at Lipscomb University. Crocker joined the faculty of the Kentucky Institute of International Studies (KIIS) in 2016 to teach ethnomusicology courses on music and dance in Latin America in Buenos Aires, Argentina. Additionally, Dr. Crocker is the founder and co-owner of Hillnote Music and Director of the Hillnote Harp & Piano Academy, a company providing noteworthy music services to Middle Tennessee, including private harp and piano lessons and customized music for events. Sarah serves as the President of the Nashville Chapter of the American Harp Society (2014-present). Prior to her position at MTSU, Dr. Crocker was an Instructor of Musicology and Ethnomusicology courses and the Instructor of Secondary Harp at the University of Alabama.

Dr. Crocker made her debut as a soloist performing Debussy’s Danses sacrée et profrane with the North Mississippi Symphony Orchestra, where she has been principal harp since 2006. Crocker also currently serves as principal harp of the Murfreesboro Symphony Orchestra (TN) and the Shoals Symphony Orchestra (AL), and was the principal harp of the Meridian Symphony Orchestra (MS) from 2005-2013. She also regularly performs as substitute principal harp with the Tuscaloosa Symphony Orchestra (AL), Orchestra Kentucky, and the Nashville Wind Ensemble, and has performed as principal harp with many other orchestras across the Southeast, including the Alabama Symphony Orchestra, Albany Symphony Orchestra (GA), and Montgomery Symphony Orchestra (AL). Having a passion for chamber music, Sarah is a founding member of the Delta Duo (flute and harp) and the Druid City Ensemble (soprano, flute, and harp) chamber groups, who have performed and led master classes at universities and festivals across the United States, most notably at the 2016 National Flute Festival in San Diego and the Second Saturday Concert Series in Chicago.

Dr. Crocker holds a B.M., M.M., and D.M.A. in Harp Performance with Musicology cognate from the University of Alabama, where she studied with Judith Sullivan-Hicks. She completed summer harp studies with Judy Loman (Toronto), Katie Buckley (Brevard Music Festival), and Mary Brigid Roman (FSU). She has performed in master classes for famed jazz harpist Deborah Henson-Conant and Maxim Rubstov, principal flute of the Russian National Orchestra.